Arlette Quynh-Anh Tran
Arlette Quynh-Anh Tran (Arlette Quỳnh-Anh Trần) is an art laborer based in Ho Chi Minh City, recognized for her individual and collective artistic practices, as well as her curatorial and writing contributions. Her artworks combine political discourse with science fiction aesthetics, employing mediums such as animation, 3D design, historical archives, and architecture. Arlette is particularly engaged with the concept of a futuristic Third World utopia, where political ideals are reimagined, allowing for the coexistence and integration of human and non-human entities.
Arlette’s individual and collective works have been exhibited in notable venues, including neue Gesellschaft für bildende Kunst (2025), Prospect New Orleans (2024), Hawaii Triennale (2025), National Gallery (Singapore, 2025), Lagos Biennial (2024), Albertinum Staatliche Kunstsammlungen (2023), Asia Culture Center (2022), Dhaka Art Summit (2018), Hessel Museum of Art (2025), the 57th Carnegie International (2018), Centre Pompidou (2017), and Leeum Museum of Art (2024). In 2012, she co-founded Art Labor, a collective who explores cross disciplinary practices and develops art projects that benefit the local community. [Source: VOX, 2025]