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Primarily narrative and characterized by cohabitation of multiple genres and motifs, Pierre Dorion’s painted works revolve around questions asked of painterly practice by the photographic image…

Jacqueline Hoàng Nguyễn’s art encompasses a wide array of processes based on her research, informed by feminist theory, which she applies to investigations of issues of historicity, community, utopian policies and multiculturalism…

Since 2006, Claire Savoie has been creating, among others, the ongoing work _Aujourd’hui (dates‑vidéos)_, which consists of producing daily videos according to a specific protocol…

Skawennati makes art that addresses history, the future, and change from an Indigenous perspective. Born in Kahnawà:ke Mohawk Territory, she holds a BFA from Concordia University in Montreal, where she is based. She is Co-Director of Aboriginal Territories in Cyberspace (AbTeC).

Anne-Marie (AM) Trépanier is an artist-researcher and editor. Through their practice, they explore the specificities of different media, technologies and actions to (re)mediate the narratives that traverse a given situation.

A founding member and artistic director of Qaggiavuut until 2021, Laakkuluk Williamson Bathory is also a curator, sculptural artist, actress, stage director, and poet.

Tania Willard, Secwepemc Nation, works within the shifting ideas of contemporary and traditional as it relates to cultural arts and production.

Sorel Cohen lives and works in Montreal. A graduate from McGill and Concordia universities, she has been a major figure on the Canadian photography scene for over twenty years…

Costa Rica–born Juan Ortiz-Apuy has lived and worked in Montreal since 2003. Working in his favoured techniques of collage and assemblage, he makes art driven by thinking around consumer goods.

Diane Landry lives and works in Quebec City. She produces installation and performance works influenced by readymade and her preoccupation with recycling.

Working as a duo with Richard Ibghy since 2002, Marilou Lemmens creates installations, videos, sculptures, photographs and artists’ books.

Art critic, curator, communication theorist and translator, of German origin, Bernard Schütze has lived and worked in Montreal since 1985.

Erik Bordeleau is a philosopher, curator, fugitive planner and cultural theorist. He works as a researcher at NOVA University in Lisbon and is also affiliated researcher at the Art, Business and Culture Center of Stockholm School of Economics.

François Lemieux makes books and exhibitions. His practice aims to prompt collective thinking about the notions of power, value, and the relationship to the norm.

Gabrielle L’Hirondelle Hill (b. 1979) is a Métis artist and writer. Hill’s sculptural practice explores the history of found materials to enquire into concepts of land, property, and economy.

My name is arkadi lavoie lachapelle. I was born the same year as the fall of the Berlin Wall and the Polytechnique massacre in Tiohtià:ke/Mooniyang/Montréal.

Bahar Noorizadeh is an artist, writer and filmmaker. Her research examines the historical advance of speculative activity and its derivative politics in art, urban life, and finance and economics.

Anne-Marie Proulx creates poetic worlds drawing on our conversations with the land and our relationship with language. She works with images, mainly photographic, to question the physical and metaphorical spaces that we occupy and which conversely also inhabit us.

Sanaz Sohrabi (b.1988, Tehran) is a research-based artist, filmmaker, and essayist living between Montreal and Chicago.

Mathieu Cardin (born Matthew Carden in Agloe, U.S.A.) displayed outstanding skills in combat sports, gymnastics and theatre from an early age. These youthful pursuits left him with…

Alexandra Lemay is an art director, fabricator, and stop-motion animation filmmaker who immerses herself in all things pop culture. 

Angela Grauerholz was born in Hamburg, Germany, and has lived in Montreal since 1976. She has been teaching at UQAM’s École de design since 1988. She is a co-founder of Artexte, a contemporary art information…

Joi T. Arcand is an artist from Muskeg Lake Cree Nation whose practice includes installation, photography and design.

David Tomas was a Canadian artist and anthropologist

Matt Donovan and Hallie Siegel are a Toronto-based arts collaborative who explore the hopes and anxieties brought about by major technological disruptions.

Kelly Mark is a conceptual artist based in Toronto. She explores a variety of mediums, such as drawing, sculpture, installation, photography, sound, performance, and public interventions.

Judith Poirier is a designer and professor at the École de Design, UQAM. Her work primarily focuses on experimental typography in the fields of publishing and animation.

karen elaine spencer is an artist and curator committed to performance, action art, paintings, drawings, prints, texts and spoken word.

Alexandre Larose is an artist of the moving image. His interest lies in the representation of space and the figure, and the way in which the cinematographic medium sets them in motion.

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_Scenes of Extraction_ | صحنه های استخراج is the outcome of the artist’s recent research in the archives of British Petroleum. The company played a frontline economic and identity-shaping role in Iran, ushering in a certain ideal of modernity in the country before being nationalized in part. The essay film, the second instalment of a trilogy, renders visible the political function of imaging technologies in BP’s geological investigations. Seismic prospecting techniques, filmed documentation of boreholes and aerial photography, geological studies and topographical surveys–here modelled in 3D–reveal the stigmata left by the extractive industry on Iran’s landscape as well as the communications strategies behind this abundant documentation. Using previously unseen archival materials, the artist uncovers the traces of a system that dispossessed Iranian resources and identity.   

   
**The audiovisual content presented by VOX is protected by Canadian and foreign copyright laws and is the property of its authors and their assignees, VOX, its licensors or the person recognized as the content provider. [Learn more](https://centrevox.ca/en/terms-of-use)**     

**This film is only available in Canada and the United States.**

Produced by VOX, centre de l’image contemporaine
   
**2023**  
**43 min**  
**Original version: Farsi**  
**Subtitles: English**  
**Sound: 5.1**  
**For a full sound experience, we recommend the use of headphones**
  

Ce film-essai est le résultat d’une investigation de Sanaz Sohrabi dans les archives de British Petroleum.

Sanaz Sohrabi. Scenes of Extraction

Sanaz Sohrabi  
Scenes of Extraction

Sanaz Sohrabi, _Scenes of Extraction_ | صحنه های استخراج, 2023, image fixe, film-essai, 43 min, Canada/Iran. Crédit : Avec l'aimable permission de BP p.l.c. et de l'artiste.

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Sanaz-Sohrabi-sanaz_sohrabi_web04_couverture.jpg

It is among the most-studied imagery in history: the amateur film comprising 26 seconds, or 486 frames, that depicts the assassination of John F. Kennedy on November 22, 1963. It was captured by Abraham Zapruder, who thanks to his 8mm camera became the most famous witness to the tragedy. The footage has gained the status of historical record not only because of the traumatic images it revealed, but also as the inflection point for a profound reworking of the regimes of visibility. Since that day in 1963, every component of the Zapruder film has been subjected to rigorous scientific scrutiny, including analyses of the logical extension of its frames as well as cross-referencing with other sources. Areas outside the camera’s field of view have even been reconstituted by addition of new images, allowing the scene to be examined from every possible missing angle so as to reproduce the sequence of events, as in a psychodrama.

Today, this method of processing images to amplify the data they contain is the basis for abundant artistic and videographic production. The emergence and proliferation of open source media, widespread use of smartphones and access to geolocation data, use of software and other technologies in forensics, digital modeling, photogrammetry and ground-penetrating radar are delivering ever more efficient means of visual investigation. Artists have embraced this technological armada to conduct inquiries into allegations of human rights violations or colonization processes, or to support social or environmental justice causes. Their investigations are central to this research focus.


The Zapruder Effect

This essay film is the outcome of the Sanaz Sohrabi’s recent research in the archives of British Petroleum.

VOX — Centre de l’image contemporaine

Sanaz Sohrabi
Scenes of Extraction

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